Archive for the 'Lighting Setups' category

Fruit splash photography lighting setup

This is a setup from the swedish photographer Carl Magnus Swahn. – I used a small aquarium filled with water, and then I simply dropped different fruits in it. I dropped the fruit with one hand and triggered the camera via remote with my other hand. It took a while to get the timing right. [...]

Dramatic lighting

Another great contribution from photographer Pedro Moreno. The camera had a WB in Flash,  Canon 5D MK II, 24-70mm, Aperture F 5.6, shutter 1/125, ISO 400.  Main light Canon 580EXII with a grid. My assistant was up high and pointing down the speedlight on to my subject.

Lighting setup up for action style fashion photography

Pedro Moreno gives us the details for this setup. – The camera had a WB in Flash,  Canon 5D MK II, 70-200mm, Aperture F 10, shutter 1/200, ISO 100 with.  Main light Elinchrom Quadra RX with a diffuser. I did trigger the light with an Skyport.

Fashion photography with one light source

Photographer Pedro Moreno shares this lighting setup that only uses one light source. Pedro: – The camera had a WB in Sun,  Canon 5D MK II, 100mm, Aperture 2.8, shutter 1/125, ISO 100 with. Main light Elinchrom Quadra RX with a Octave 1mt in silver and the sun was giving me a golden tone on [...]

Low key fashion photography

Photographer Pedro Moreno from Spain shares a low key lighting setup for fashion photography. Pedro: – The camera had a WB in Tounsgten,  Canon 5D MK II, 100mm, Exposition 5.0, shutter 1/60, ISO 200 with.  Main light Elinchrom Quadra RX with a Octave 1mt in silver and 1 Canon 580EXII speedlite as a kicker light. [...]

Clamshell beauty lighting

Here is a clamshell lighting setup from photographer Morgan Klang. Using the umbrella and reflector together minimizes hard shadows and gives a smooth light.

Not from the photo studio

Photographer Morgan Klang shows us how to take great photos using only one reflector.

Vivid colors lighting setup

Here’s a lighting setup  from Morgan Klang that gives us crisp vivid colors. The key light is from a strobe with just a tight reflector on. That gives a punchy and distinct light and a shadow on the background. Then there is a softer fill light from a shoot through umbrella. By not having a [...]