This is a lighting setup by swedish photographer Carl Magnus Swahn.It is actually a classic butterfly lighting setup. I think it gives a very feminin character and I find suitable for classic beauty photos. This specific setup has the soft box with angle closer to the camera lens and less from above, so the characteristic butterfly shadow under the nose is not so prominent.
The photo was shot with a Lastolite Hilite 2,5 x 2,15 m giant soft box as a background. It was lit up by two Elinchrom strobes with a red/pink-ish gel filter to get that pink background. The gradient in the background was later enhanced in Photoshop. It’s difficult to see in the lighting diagram, but the Lastolite Hilite soft box is really huge. It’s like a huge lit up backdrop that easily can cover a full figure modell.
An Elinchrome Ranger (even though it was indoors) with a large soft box above the camera pointing at Denice. There was also a table with a silver metallic rescue blanket on it, used as a giant reflector. That gives a rectangular shape of the reflector and a much nicer catch light in the eyes.
If you zoom in on the photos and take a close look at the catch light in the eyes, you can clearly see the large soft box from above as well as the reflector from underneath.
– I used a small aquarium filled with water, and then I simply dropped different fruits in it. I dropped the fruit with one hand and triggered the camera via remote with my other hand. It took a while to get the timing right. Between every shot there was water drops on the inside of the aquarium, so I had to wipe it before the next shot to avoid blur.
These photos are from a series of about twenty different fruits dropped in water. So there was a lot of wiping the window of the aquarium. And a lot of retakes when the timing wasn’t perfect.
If I had to do it again today, I would probably done much more in the post editing. Even for those photos I reused parts of the best splashes. The most resonable way of doing this could be taking separat photos of just the water splash and the surface, and then edit in the fruits. Then I would be able to photo all fruits from perfect angles and combine it with perfect photos of splashing water.
I used two Canon EX 550 for this shot. They burn pretty fast, so the water splash can freeze. I had one with a soft box behind the aquarium and one without modifier from the right side. On the opposite side I used a reflector. I shot many different fruits and there was many different strobe settings depending on if the fruits were light, dark, colorful etc.
Here’s a new lighting setup from photographer Meggy Irawan. The strobes are used without any light modifiers. That creates a crisp and dramatic light in the scene. The temple is lit by the sun and parts of the background is slightly underexposed which makes the model more prominent.
This is a perfect lighting setup for all you that don’t have so much equipment but still want to take professional photos. All you need is one strobe that you can fire remotely and a reflector. Indonesian photographer Meggy Irawan shows us how the it’s done.
The camera had a WB in Flash, Canon 5D MK II, 24-70mm, Aperture F 5.6, shutter 1/125, ISO 400. Main light Canon 580EXII with a grid. My assistant was up high and pointing down the speedlight on to my subject.