The camera had a WB in Flash, Canon 5D MK II, 24-70mm, Aperture F 5.6, shutter 1/125, ISO 400. Main light Canon 580EXII with a grid. My assistant was up high and pointing down the speedlight on to my subject.
Photographer Pedro Moreno shares this lighting setup that only uses one light source.
Pedro: – The camera had a WB in Sun, Canon 5D MK II, 100mm, Aperture 2.8, shutter 1/125, ISO 100 with. Main light Elinchrom Quadra RX with a Octave 1mt in silver and the sun was giving me a golden tone on the neck’s shadows. I triggered the light with an Skyport.
Photographer Pedro Moreno from Spain shares a low key lighting setup for fashion photography.
Pedro: – The camera had a WB in Tounsgten, Canon 5D MK II, 100mm, Exposition 5.0, shutter 1/60, ISO 200 with. Main light Elinchrom Quadra RX with a Octave 1mt in silver and 1 Canon 580EXII speedlite as a kicker light. I did trigger everything with an Skyport.
Here’s a lighting setup from Morgan Klang that gives us crisp vivid colors. The key light is from a strobe with just a tight reflector on. That gives a punchy and distinct light and a shadow on the background. Then there is a softer fill light from a shoot through umbrella. By not having a dedicated strobe on the background, the shadow will be more prominent and add that extra crispiness to the photo.
Wellknown contributor Hipolit Terpinsky is back with another great lighting setup. The key light has just a small reflector which makes the light punchy, crisp and fresh. Then there’s a soft fill light from an octa which stands near the camera.