Photographer Mattias Olsson gives us this lighting setup. Shot with two Kinoflos and daylight. The Kinoflos are not strobes, but lightpanels with continous light.
Photographer Mattias Olsson shows us how to take better sport portraits, by sharing the lighting setup for this colorful photo of NHL player Henrik Lundqvist.
New York based photographer Mattias Olsson has taken this beautiful portrait of Laura Cantrell without any artificial light or any reflectors. The only lightsource is the window to the side of the subject. Great inspiration for all us upcoming photographers!
This photo by Pontus Höök is taken in a hallway at Colorado Avalanche’s training facilities. Peter Forsberg came right of the rink to Pontus’ makeshift photo studio. The sweat you see is real. 22 exposures later Peter is off to the locker room. The photo is shot using analog film.
This photo was the cover photo of the first edition of the sportmagazine “S”
Cool locations demands cool lighting setups. Photographer Pontus Höök shot a portrait of Ottawa NHL player Daniel Alfredsson in a small aircraft. Daniel Alfredsson who was studying to get his pilot’s certificate at the time. There is a strobe with a softbox in the cockpit, wirelessly fired by pocket wizards.
This dramatic lighting setup goes perfect with the dramatic sky and camera angle.
You can follow Pontus on twitter.
Magnus Svensson took some great promo photos for the band Amy’s Ashes, and gives you an exciting portrait lighting setup with a bright shiny look n feel. Shooting against the light this way gives you those prominent vivid flares. There are two beauty dishes from the back, and one big softbox a bit to the right from the camera.
This image is a pure tribute to the classic crying-images by Jill Greenberg. This is really showing the crisp and contrasty light of the beloved Profoto Giant (the huge umbrella). From the back, I use two strip lights and a hair light on a boom stand to create a “kicker” all around her silhouette. One gridded light on the black background (turns blue when white balancing to get nice skin tones). Just below the model there is a squared silver reflector (I hate round ones!) to give the classic extra lower clam-shellish-spark to the eye to give some feeling of “wet eyes”… To eliminate all unwanted indirect lightning, I used big black book ends to really push the contrast by lowering the levels in the shadows.
Visit photographer David Bicho for more great inspiration.
This is a photo portrait of the swedish professional dancer Karl Dyall. The lighting setup is very simple. The model is standing next to a big window which is about 4 feet from him on the right hand side. On the left hand side stands a silver reflector about 2 feet away. It was cloudy that day, so the light is very soft. As many of you know is the Canon EF 50/1.8 II bokeh a bit stressful, so the warm light in the background is not as smooth as I would like it.
Natural light photography
When you practice natural light photography, keep in mind that the constant light from a silver reflector can be annoying for the model if the light is too intense. It makes it difficult for the model to keep a certain facial expression, and the whole workflow for the session will be affected.
If the light from the window would have been more intense that day, or if it had been an outdoor session a sunny day, I would probably have used a white reflector instead of a silver reflector.