Here’s a nifty full figure portrait lighting setup provided by photographer Johan Marklund.
– “I’m have many assignments that has to be done quick with little or no time for planning in advance and sometimes even less time for the actual shot. In my bag I always carry 2-3 small flashguns and a radio transmitter. These often has a tendency to boost creativity instead of getting locked in to the correctness that big machines can create due to there physical dimension (where to place and the hell of replacing).
This shot with musical artist Martin Stenmarck is one of those shots. We had some minutes and the hotell was not to keen upon having their lobby turned into a studio. Small flash on tripod from an angle to the right of me and another small flash behind Martin from behind to put some shine on his bike and some rime on him did the job easy and good. Exisiting bulb light for the background.”
New York based photographer Mattias Olsson has taken this beautiful portrait of Laura Cantrell without any artificial light or any reflectors. The only lightsource is the window to the side of the subject. Great inspiration for all us upcoming photographers!
This photo by Pontus Höök is taken in a hallway at Colorado Avalanche’s training facilities. Peter Forsberg came right of the rink to Pontus’ makeshift photo studio. The sweat you see is real. 22 exposures later Peter is off to the locker room. The photo is shot using analog film.
This photo was the cover photo of the first edition of the sportmagazine “S”
Cool locations demands cool lighting setups. Photographer Pontus Höök shot a portrait of Ottawa NHL player Daniel Alfredsson in a small aircraft. Daniel Alfredsson who was studying to get his pilot’s certificate at the time. There is a strobe with a softbox in the cockpit, wirelessly fired by pocket wizards.
This dramatic lighting setup goes perfect with the dramatic sky and camera angle.
Magnus Svensson took some great promo photos for the band Amy’s Ashes, and gives you an exciting portrait lighting setup with a bright shiny look n feel. Shooting against the light this way gives you those prominent vivid flares. There are two beauty dishes from the back, and one big softbox a bit to the right from the camera.