– I used a small aquarium filled with water, and then I simply dropped different fruits in it. I dropped the fruit with one hand and triggered the camera via remote with my other hand. It took a while to get the timing right. Between every shot there was water drops on the inside of the aquarium, so I had to wipe it before the next shot to avoid blur.
These photos are from a series of about twenty different fruits dropped in water. So there was a lot of wiping the window of the aquarium. And a lot of retakes when the timing wasn’t perfect.
If I had to do it again today, I would probably done much more in the post editing. Even for those photos I reused parts of the best splashes. The most resonable way of doing this could be taking separat photos of just the water splash and the surface, and then edit in the fruits. Then I would be able to photo all fruits from perfect angles and combine it with perfect photos of splashing water.
I used two Canon EX 550 for this shot. They burn pretty fast, so the water splash can freeze. I had one with a soft box behind the aquarium and one without modifier from the right side. On the opposite side I used a reflector. I shot many different fruits and there was many different strobe settings depending on if the fruits were light, dark, colorful etc.
Photographer Pedro Moreno shares this lighting setup that only uses one light source.
Pedro: – The camera had a WB in Sun, Canon 5D MK II, 100mm, Aperture 2.8, shutter 1/125, ISO 100 with. Main light Elinchrom Quadra RX with a Octave 1mt in silver and the sun was giving me a golden tone on the neck’s shadows. I triggered the light with an Skyport.
Photographer Pedro Moreno from Spain shares a low key lighting setup for fashion photography.
Pedro: – The camera had a WB in Tounsgten, Canon 5D MK II, 100mm, Exposition 5.0, shutter 1/60, ISO 200 with. Main light Elinchrom Quadra RX with a Octave 1mt in silver and 1 Canon 580EXII speedlite as a kicker light. I did trigger everything with an Skyport.
Wellknown contributor Hipolit Terpinsky is back with another great lighting setup. The key light has just a small reflector which makes the light punchy, crisp and fresh. Then there’s a soft fill light from an octa which stands near the camera.
Photographer Jessica Wikström shows us how to take first class beauty shots, just like the ones you see in all those glossy magazines, using very little equipment.
Jessica: – You dont always need a studio to take a clean shot! In this photo the model is standing infront of the bathroom door at the make up artists place. The make up artist was also my assistant and held the softbox over my head and i was sitting on a chair under it.
Hipolit Terpinsky is sharing this simple but useful lighting setup for on location photograpy. A word of wisdom, if the models hair acts like this in the wind, hang a extra sandbag on the softbox boom.