Hipolit Terpinsky gives this nifty little lighting setup to all you retro lovers out there. To add that extra classic movie star touch, put a cigarette in the models mouth, and load your camera with old school grainy black and white film (Ilford FP4).
Norwegian photographer Eivind Røhne gives you a great case studie of hot fashion.
This fashion shoot was for an Italian client, but done here in Oslo (Norway) in the middle of the summer. The theme for this editorial was ”hot”, and my inspiration came from old westerns, with those great looking desert and their deadly hot temperatures. And of course from those hot and exciting Mexican senoritas!
I used the low evening sun of summer about 45 degrees left of my camera, and put up an Elinchrom 600W lamp with a big Octa shaped softbox in the opposite direction of the sun. Or else the model would just be a silhouette. I metered the existing light so the sky would blow out in the areas close to the sun, but keep details in the rest of the blue sky. Then I metered up the Elinchrom to fill in the opposite side of the sun, but not as powerful as the sunlight. Maybe a stop or so below if I remember right. I also had an assistant holding a reflector to fill in some of the shadows in between. Plus, I had an assistant holding an ordinary black umbrella between the sun and my camera, so I could control the amount of sunlight hitting my lens. As you can see from these two shots, one is controlled and punchy, and the other is more hazy and with less contrast. The punchy one is a result of the umbrella being held so that no light reached my lens. The other one, with that fantastic hot summer haze and less contrast, is because the assistant was holding the umbrella so that a little bit of sunlight reached my lens. Not much, just a little.
The whole shoot was shot with a 22mp Hasselblad digital medium format camera tethered to a laptop. Everything from the lighting, laptop, and all the utilities of the hair dressers and the makeup artist was powered by a portable 1200w petrol generator. The model was prepared in a salon before travelling to the shoot, and the rest of the hair and makeup was done on location. Aaahh the great outdoors!
Gel filters can really change the impression of the photo. In this photo of Professor Martin J. Blaser, photographer Pontus Höök is using two different colored gel filters to get this expressive effect.
The reflections to the left is from a glass cage used for scientific research. Professor Martin J. Blaser has been researching the bacteria behind ulcers.
Cool locations demands cool lighting setups. Photographer Pontus Höök shot a portrait of Ottawa NHL player Daniel Alfredsson in a small aircraft. Daniel Alfredsson who was studying to get his pilot’s certificate at the time. There is a strobe with a softbox in the cockpit, wirelessly fired by pocket wizards.
This dramatic lighting setup goes perfect with the dramatic sky and camera angle.
Magnus Svensson took some great promo photos for the band Amy’s Ashes, and gives you an exciting portrait lighting setup with a bright shiny look n feel. Shooting against the light this way gives you those prominent vivid flares. There are two beauty dishes from the back, and one big softbox a bit to the right from the camera.
Magnus Svensson is back with another funky fresh lighting setup. The key light is a ringlight wich gives the very characteristic light and maybe most of all, a characteristic shadow if the model stands close to the background. There is also one stripbox on each side that gives the reflection in the glossy outfit.