Here is a clamshell lighting setup from photographer Morgan Klang. Using the umbrella and reflector together minimizes hard shadows and gives a smooth light.
Here’s a lighting setup from Morgan Klang that gives us crisp vivid colors. The key light is from a strobe with just a tight reflector on. That gives a punchy and distinct light and a shadow on the background. Then there is a softer fill light from a shoot through umbrella. By not having a dedicated strobe on the background, the shadow will be more prominent and add that extra crispiness to the photo.
Photographer Hipolit Terpinsky from Poland gives us this great inspiration of what you can achieve with only a fill light and some mad skills. More photos from Hipolit is coming up in a near future. Stay tuned!
Lighting For Photo legend David Bicho is back with a great lighting setup for high fashion. This is a pretty advanced lighting setup, but the result shows us that it’s worth all the effort.
David is also sharing a PDF of the assignment brief he wrote to the wardrobe stylist. It explains the mood, the story behind the photo etc.
Photographer Mattias Olsson shows us how to take better sport portraits, by sharing the lighting setup for this colorful photo of NHL player Henrik Lundqvist.
Norwegian photographer Eivind Røhne gives you a great case studie of hot fashion.
This fashion shoot was for an Italian client, but done here in Oslo (Norway) in the middle of the summer. The theme for this editorial was ”hot”, and my inspiration came from old westerns, with those great looking desert and their deadly hot temperatures. And of course from those hot and exciting Mexican senoritas!
I used the low evening sun of summer about 45 degrees left of my camera, and put up an Elinchrom 600W lamp with a big Octa shaped softbox in the opposite direction of the sun. Or else the model would just be a silhouette. I metered the existing light so the sky would blow out in the areas close to the sun, but keep details in the rest of the blue sky. Then I metered up the Elinchrom to fill in the opposite side of the sun, but not as powerful as the sunlight. Maybe a stop or so below if I remember right. I also had an assistant holding a reflector to fill in some of the shadows in between. Plus, I had an assistant holding an ordinary black umbrella between the sun and my camera, so I could control the amount of sunlight hitting my lens. As you can see from these two shots, one is controlled and punchy, and the other is more hazy and with less contrast. The punchy one is a result of the umbrella being held so that no light reached my lens. The other one, with that fantastic hot summer haze and less contrast, is because the assistant was holding the umbrella so that a little bit of sunlight reached my lens. Not much, just a little.
The whole shoot was shot with a 22mp Hasselblad digital medium format camera tethered to a laptop. Everything from the lighting, laptop, and all the utilities of the hair dressers and the makeup artist was powered by a portable 1200w petrol generator. The model was prepared in a salon before travelling to the shoot, and the rest of the hair and makeup was done on location. Aaahh the great outdoors!
This photo by Pontus Höök is taken in a hallway at Colorado Avalanche’s training facilities. Peter Forsberg came right of the rink to Pontus’ makeshift photo studio. The sweat you see is real. 22 exposures later Peter is off to the locker room. The photo is shot using analog film.
This photo was the cover photo of the first edition of the sportmagazine “S”
These photos are from a session on location in Hong Kong, featuring ShellZ Zhu. ShellZ Zhu is a fashion model and actress in China, but she has also been seen i a few Hollywood productions.
Portable lighting setup
I didn’t have the possibility to bring my full arsenal of lighting equipment, so I had to find a lighting setup that was easy to travel with. I brought a hot shoe speedlight flash, a shoot through umbrella, a lightweight light stand and the Elinchrom Skyport radio trigger. The shoot through umbrella was actually a multifunction umbrella with one shoot through layer and one removable silverlayer that you can bounce the light in when needed, but for this photo session I used it only as a shoot through umbrella.
It was a bit cloudy that day so the daylight was soft and had no specific direction. I placed the umbrella in front of ShellZ Zhu about 45 degrees to the left. For the photo with the “catwoman stance”, the lighting setup was moved so the lighting direction came a bit closer to the camera direction. Since the models pose i lower, the light gets relatively more from above.